The Art of Process Collection
The Art of Process brings together six artists whose practices are shaped as much by exploration and intuition as by the final image itself. Presented for the first time during 3daysofdesign at The Poster Club’s Copenhagen showroom, the collection follows the journey from initial idea to finished work, revealing how colour, material, composition and experimentation shape each artist’s way of making.
Though each artist approaches the creative process differently, a shared perspective runs throughout the exhibition: that the act of making is inseparable from the final work. For some, the process unfolds through reduction and refinement, testing how subtle shifts in colour, contrast or form can alter the emotional presence of a piece. Others work more instinctively, allowing texture, material combinations and spontaneous mark-making to guide the direction as they go. Across the exhibition, sketches, colour studies, material tests and discarded ideas become part of the artistic expression itself.
For Berit Mogensen Lopez, the process unfolds through transformation. Working with fragments of earlier paintings, prints and collected paper materials from her personal archive, she cuts, rearranges and recomposes forms until rhythm, balance and tension begin to emerge. The result is an intuitive collage practice shaped by movement, composition and the relationship between colour and negative space.
Nord Projects approaches form through refinement and reduction, exploring how simplified compositions can hold emotional weight. Through repeated studies of shape, colour and contrast, the works gradually evolve towards a quieter sense of balance – softening bold architectural forms through calm, understated colour palettes.
Lucia Tuffley’s practice moves more freely between mediums, where watercolour, collage, text and digital composition inform one another as part of an ongoing process of play and research. Drawing from memory, literature, music and everyday observations, her works balance softness and nostalgia with a loose, intuitive sense of storytelling.
For Donchi, colour itself becomes the central subject. Working with the Japanese katazome dyeing technique, forms are intentionally repeated so that symbolic meaning begins to dissolve, allowing relationships between colours, textures and surfaces to take focus instead. Through washi paper, pigments and handwoven materials, the works retain traces of the hand and the physical act of making.
Lucrecia Rey Caro explores atmosphere through softness, composition and muted colour. Created through an intuitive and sensory process, her works move towards calm, surreal and dreamlike states – compositions that gently settle into their surroundings while maintaining a quiet presence of their own.
Clara Selina Bach approaches painting as an open and organic process, where colour, texture and material become tools for moving away from the fixed or expected. Working across acrylic, oil pastel, wax pastel and water-soluble graphite, she continuously tests and rearranges the composition, searching for tension, curiosity and emotional contrast within the work.
All art prints from this collection
