Real Art. Curated In Copenhagen.

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Karolina Kling

Based in Gothenburg, Karolina Kling is a print designer and artist whose work moves between illustration, pattern and painting, spanning wallpapers, posters, textiles and wall paintings. After years as a print designer in fashion, she turned towards independent and large-scale projects. Travel drives her practice, with rural Tuscany and the area around Nice recurring as references; her pieces for The Poster Club grew from a summer stay in Marseille. Working across acrylic, ink, watercolour and pen, she places colour at the heart of her work.

Karolina Kling

All works by Karolina Kling

See more of the artist's vision, from striking compositions to intimate details, all ready to live in your space.

About Karolina Kling

Karolina Kling is a Gothenburg-based print designer and artist whose work moves fluidly between illustration, pattern and painting. Alongside her artistic practice, she has worked extensively across fashion, interiors and home design, including several years as a print designer within the fashion industry before turning her focus more fully towards independent projects and large-scale work. Today, her practice spans wallpapers, posters, textiles and wall paintings, often translating expressive, hand-drawn compositions into graphic surfaces.

Travel plays a central role in her work. Southern France and Italy, particularly rural landscapes around Tuscany and the area surrounding Nice, recur as visual reference points. “I love to travel, it’s always a good starting point,” she explains. “I find it hard to keep creativity and inspiration up if I can’t visit new places.” Rather than depicting specific locations, her art prints distil atmosphere, colour and rhythm into simplified motifs and intuitive mark-making. Her pieces for The Poster Club originate from a series created during a summer stay in Marseille, drawn with pens bought locally and completed in a hotel room.

Karolina Kling

Colour as Escape

Working across acrylic, ink, watercolour and, most recently, pen, Karolina’s process shifts depending on context. While commissioned projects often begin with a defined brief, her personal works allow for a freer, more intuitive approach, where spontaneity and material experimentation take the lead. The roughness of line and the visible texture that emerge through this process are not incidental but integral to the finished image.

Colour sits at the centre of Karolina’s practice. Drawn instinctively and generously, it functions as both material and mood. “I love colour,” she says. “To see beautiful colour combinations can make me happy in a way few things can.” Her prints invite a sense of pause and escapism, shaped by travel, memory and the pleasure of working freely with colour and form.

Karolina Kling

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