Regular price
1.189,00 kr
Unit price
per
Handcrafted in the Netherlands through a collaboration between Edith Beurskens and Royal Goedewaagen, Happy Ceramics celebrates the simple power of a smile. Defined by its playful expression and soft, rounded form, the piece brings warmth, optimism, and a sense of lightness into any space.
Balancing contemporary design with centuries-old ceramic craftsmanship, the object is created to be both meaningful and joyful. Whether displayed in a nursery, given to mark a special occasion, or chosen simply as a gesture of affection, Happy Smiley carries a universal sense of positivity that transcends age and setting.
Each piece is designed by Edith Beurskens and carefully handmade by Royal Goedewaagen, the oldest ceramic factory in the Netherlands. Founded in 1610, the historic workshop continues to produce ceramics entirely in-house, combining traditional expertise with modern design sensibilities. The result is an object that feels both timeless and contemporary—playful in character yet crafted to last for generations.
More than a decorative object, Happy Smiley serves as a small reminder of joy in everyday life. Its friendly expression and sculptural presence invite moments of connection, making it a thoughtful gift or a cheerful companion within the home.
Materials
Ceramic Glay glazed
Specifications
Colour: Chalk
Dimensions: H 18 × W 18 × D 2,5 cm.
Mounting
The relief has a built-in hanging slot on the back that allows for wall mounting.
Care & Maintenance
Wipe with a dry or damp cloth to remove dust or dirt. Handle with care. No additional treatment required.
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- Select size
- 18x18x2,5 cm 1.189,00 kr
Total
1.189,00 kr
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Discover More From this Artist
About the Artist
Edith Beurskerns
Based in Amsterdam and working from her atelier in Weesp, Dutch artist Edith Beurskens develops sculptural works that merge digital design, craftsmanship and sustainable materials. With a background in fashion, graphic design and interiors, her practice brings together multiple disciplines into a unified visual language shaped by architecture, structure and form. “My work represents a unique intersection where digital technology, traditional craftsmanship and sustainability meet,” she explains.
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